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The Voice Of Mind Control


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by Jon Rappoport

Every civilization and every generation has their defining voices.

The voice does two things. It tells the story of the times; and it injects the telltale emotions, moods, and attitudes of that story.

The public swallows the tale with all its lies and omissions, and accepts the way in which the whole act is spooled out by the sound of the narrative voice.

The tone of the story creates a trance.

Different societies are vulnerable to different styles of story-telling.

Americans on this side of the Atlantic, listening to the radio speeches of Hitler delivered with staccato militant force, thought the German people were clearly crazy to go along.

It never occurred to the Americans, glued to their radios listening to President Roosevelt, that many Germans would think the sing-song pseudo-British style of the aristocratic FDR was a transparent joke.

“I’ll take my hypnosis on rye with mustard.” “I’ll have mine on a bun with mayo.”

It’s assumed that, because Hitler and Mussolini were cementing their control through mass arrests and overt shows of force, they could get away with vocal displays of shouting and intimidation. Otherwise, the people would have turned away from them in disgust.

That’s not the whole picture, by any means. Large numbers of people in Germany and Italy responded enthusiastically to the voices of Hitler and Mussolini.

The trance they entered, as a result, wasn’t a passive narcosis. It was a kind of hysteria that demanded action.

If, down the road, America is put under an openly declared state of martial law, with all the bells and whistles attached, elite television anchors, like Brian Williams and Scott Pelley, will tell that story—not as Mussolini would—but as our anchors always do; in measured, “responsible, objective” tones. It will be “grave and sober.” The voices will suggest a dollop of alarm, but…everything is under control.

That’s the way modern Americans want to hear The Voice narrate the story of the times.

And the president of the moment? He will deploy those same tones. He won’t be standing on the balcony of a building shouting and waving his arms.

But the result will be the same.

In the wake of post-WW2 America, as the feisty combative Harry Truman exited the White House, the bland-egg Eisenhower took up residency. He was always calm and under control. He was the modest hero. He was what you’d call, in his speeches, a Grade B anchor. Not good, but not the worst.

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  1. Just a technical point: FDR didn’t have a pseudo English accent. It was an authentic New England accent often called “boarding school English” similar to England’s RP and for the same reasons. Vincent Price and Ronald Coleman are two notable actors who used it to portray posh aristocratic characters. While it’s easy to forget in the present multicultural context there was a time, not so long ago in linguistic terms, when America was an English cultural province.

  2. Quite right. It’s the biggest recruitment fodder for the killing fields and false patriotism/Nationalism to boot, as well as promotes defense of Government but not defense of society and Constitution. Government is expendable, Constitution and Family are not… When thought is borrowed or lost, in sorrow he’ll pay that cost regardless of tragedy and a families loss. When hypnotism sets in he/she will sin and sing to every whim, and dance he/she will to the tune of dispair on their way to the gallows on air. They be with mind so shallow with not a clue of where and what of tomorrow. When the Collectives pass that collection plate around keep your mind never donate and keep it sound, let not your mind be found by the Elite’s mongrel bloodhounds.

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